Lemmy | |
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“God bless you, my child. Even though you’re an asshole.” | |
Background information | |
Birth Name | Ian Fraser Kilmister |
Alias | Lemmy |
Born | 24 December 1945 |
Died | 28 December 2015 (Aged 70) |
Occupation | Musician |
Genres | Psychedelic Rock, Heavy Metal, Rock and Roll |
Instrument(s) | Bass, Vocals |
Years active | 1963 - 2015 |
Labels | United Artists, Bronze, GWR, Epic, Steamhammer, UDR |
Associated acts | Motörhead, Hawkwind, The Rockin' Vickers, Sam Copal, Robert Calvert, The Head Cat, Opal Butterfly, The Rainmakers, The Motown Sect, Probot, Girlschool, Doro |
Website | Motörhead's Official Page |
Ian Fraser Kilmister, best known as Lemmy, was an English musician, singer and songwriter notable for his tenures in Hawkwind and Motörhead among a career in music spanning over fifty years. His music was one of the foundations of the heavy metal genre, regarded heavily among punks and metalheads alike. He was known for his appearance (including his friendly mutton chops), his distinctive gravelly voice, unique singing style and equally distinctive bass playing style. He was also known for using his Rickenbacker bass to create an "overpowered, distorted rhythmic rumble", while another notable aspect of his bass sound was that he often played power chords using heavily overdriven tube stacks by Marshall. Alongside his music career, he also had many minor roles in film and television.
Lemmy was born in Stoke-on-Trent and grew up in North Wales. He was influenced by rock and roll and the early Beatles, which led to him playing in several rock groups in the 1960s, including The Rockin' Vickers. He worked as a roadie for Jimi Hendrix and the Nice, before joining the space rock band Hawkwind in 1971, singing lead on "Silver Machine" and playing a handful of their albums. After being fired from Hawkwind, he founded Motörhead as lead singer, bassist, songwriter and frontman. Motörhead's success peaked in 1980 and 1981 with the album Ace of Spades (And it's eponymous single) and the top charting live album No Sleep 'til Hammersmith. Lemmy continued to record and tour regularly with Motörhead until his death in December 2015 in Los Angeles, where he had lived since 1990.
Aside from his musical activities, Lemmy was well known for his hard-living lifestyle and regular consumption of Jack Daniels and amphetamines, along with his promiscuity. He was also noted for being a collector of war memorabilia, especially World War II and memorabilia.[1] This would include memorabilia of the Axis and Nazi iconography, which has attained controversy, notably wearing paraphernalia in a 2008 German photoshoot.[2][3] Kilimister would be adamant that he "only collect the stuff. I didn't collect the ideas."[4] and that he "was born in '45, the year it all ended. It's not ancient history to me, and I don't see it as all the good English and Americans and all the bad Germans.".[5] Lemmy had also stated that in regards to political views he always leaned as an Anarchist or Libertarian.
In a career spanning over fifty years Lemmy would compose twenty-four albums with Motörhead, among contributing to three studio albums with Hawkwind, three albums with The Head Cat, albums with Sam Copal and Robert Calvert and a wide range of guest appearances and colaborations.
Biography[]
Early Life and Bands (1963 - 1970)[]
Lemmy was born on 24 December 1945 in the Burslem area of Stoke-on-Trent, Staffordshire.[6][7] When he was three months old, his father, an ex-Royal Air Force chaplain and concert pianist, separated from his mother.[8][9] He moved with his mother and grandmother to nearby Newcastle-under-Lyme, then to Madeley. When Lemmy was 10, his mother married former rugby player George L. Willis, who already had two older children from a previous marriage, Patricia and Tony, whom Lemmy disliked. They later moved to a farm in the Welsh village of Benllech, Anglesey, with Lemmy commenting that "funnily enough, being the only English kid among 700 Welsh ones didn't make for the happiest time, but it was interesting from an anthropological point of view".[10] He attended Sir Thomas Jones' School in Amlwch, where he was nicknamed "Lemmy". It was later suggested by some that the name originated from the phrase "lemmy [lend me] a quid 'til Friday" because of his alleged habit of borrowing money from people to play slot machines,[11][12][13] although Lemmy himself said that he did not know the origin of the name.[14] He soon started to show an interest in rock and roll, girls, and horses. Sometime after leaving school he had moved in with his family in Lonwy. He also worked several odd jobs at the time, including one at the local Hotpoint electric appliance factory, while also playing guitar for local bands such as the Sundowners. He also worked for a riding school at the time as he loved horses, also noting that "horses make women horny" and that "There's a sexual power to a horse.".[15][16]
In his early years at school, Lemmy noticed a pupil who had brought a guitar to school and had been "surrounded by chicks". His mother had a guitar, which he then took to school, and was himself surrounded by girls even though he could not play. He saw the Beatles perform at the Cavern Club in Liverpool when he was 16, and then learned to play along on guitar to their first album Please Please Me. He also admired the sarcastic attitude of the group,[17] particularly that of John Lennon, and later said of the group, "Brian Epstein cleaned them up for mass consumption, but they were anything but sissies. They were from Liverpool [...] a hard, sea-farin' town, all these dockers and sailors around all the time who would beat the piss out of you if you so much as winked at them. [...] The Rolling Stones were the mummy's boys—they were all college students from the outskirts of London. [...] The Stones made great records, but they were always shit on stage, whereas the Beatles were the gear."[18] Lemmy would also cite Chuck Berry as a major influence of getting into music, stating once to Henry Rollins in regards of Chuck Berry that he knew a time "before Rock and Roll".
In Stockport, Lemmy joined local bands The Rainmakers and then The Motown Sect who played northern clubs for three years. In 1965, he joined The Rockin' Vickers[19] who signed a deal with CBS, released three singles and toured Europe. They were reportedly the first British band to visit the Socialist Federal Republic of Yugoslavia. The Rockin' Vickers moved to Manchester, where they shared a flat together.[20]
Leaving The Rockin' Vickers, Lemmy moved to London in 1967. He shared a flat with Noel Redding, bassist of the Jimi Hendrix Experience, and with Neville Chesters, their road manager. He got a job as a roadie for the band.[21] In White Line Fever he would speak intimately of the experience, describing Hendrix as "the most startling guitarist ever" and "a stud". In 1968, he joined the psychedelic rock band Sam Gopal under the name Ian Willis and recorded the album Escalator which was released in 1969 via Stable Records, though poorly promoted. After meeting Simon King at a shopping centre in Chelsea in 1969, he joined the band Opal Butterfly; but the group soon disbanded, having failed to raise enough interest with their singles.[22]
Hawkwind (1971 - 1975)[]
- For more details on Hawkwind, feel free to view their Riffipedia page.
In August 1971, Lemmy joined the space rock band Hawkwind, who were based in Ladbroke Grove, London, as a bassist and vocalist. He had no previous experience as a bass guitarist, and was cajoled into joining immediately before a benefit gig in Notting Hill by bandmate Michael "Dik Mik" Davies, to have two members who enjoyed amphetamines. Lemmy states that he originally auditioned for Hawkwind as a guitarist, but on the morning of the Notting Hill gig, they decided not to get another guitarist. By chance, the bass player didn't show up and left his equipment in the van. He often said, "Their bass player was pretty much saying 'please steal my gig!' So I stole his gig."
Lemmy quickly developed a distinctive style that was strongly shaped by his early experience as a rhythm guitarist, often using double stops and chords rather than the single note lines preferred by most bassists. His bass work was a distinctive part of the Hawkwind sound during his tenure, perhaps best documented on the double live album Space Ritual. He also provided the lead vocals on several songs, including the band's biggest UK chart single, "Silver Machine", which reached #3 in 1972. Overall he performed on three of the band's albums: Doremi Fasol Latido (1972), Hall of The Mountain Grill (1974) and Warriors on The Edge of Time (1975).
In May 1975, during a North American tour, Lemmy was arrested at the Canadian border in Windsor, Ontario on drug possession charges. The border police mistook the amphetamine he was carrying for cocaine and he spent five days in jail before being released without charge. The band were forced to cancel some shows and, tired of what they saw as his erratic behaviour, decided to fire him. In his book White Line Fever, Lemmy would state that upon returning to the UK he and drummer Lucas Fox would break into the band's storage unit to steal back his equipment.[23]
He once said of Hawkwind: ""I did like being in Hawkwind, and I believe I'd still be playing with them today if I hadn't been kicked out. It was fun onstage, not so much offstage. They didn't want to mesh with me. Musically, I loved the drummer, the guitar player. It was a great band.”[24]
Motörhead (1975 - 2015)[]
After Hawkwind, Lemmy formed a new band called "Bastard" with guitarist Larry Wallis (Pink Fairies, Steve Took's Shagrat and UFO) and drummer Lucas Fox. Lemmy and Took were friends, and Took was the stepfather to Lemmy's son Paul. When his manager informed him that a band by the name of "Bastard" would never get a slot on Top of the Pops, Lemmy changed the band's name to "Motörhead" – the title of the last song he had written for Hawkwind.[25]
Lemmy wanted the music to be "fast and vicious, just like the MC5". His stated aim was to "concentrate on very basic music: loud, fast, city, raucous, arrogant, paranoid, speedfreak rock n roll ... it will be so loud that if we move in next door to you, your lawn will die". He recruited guitarist Larry Wallis (formerly of Pink Fairies) on the recommendation of Mick Farren, based on Wallis' work with Steve Peregrin Took's band Shagrat, and Lucas Fox on drums. According to Lemmy, the band's first practice was at the now defunct Sound Management rehearsal studios, in Kings Road, Chelsea in 1975. Sound Management leased the basement area of furniture store The Furniture Cave, located in adjacent Lots Road. Kilmister has said they used to steal equipment, as the band was short on gear. Their first engagement was supporting Greenslade at The Roundhouse, London on 20 July 1975. On 19 October, having played 10 gigs, they became the supporting act to Blue Öyster Cult at the Hammersmith Odeon.
The band were contracted to United Artists by Andrew Lauder, the A&R man for Lemmy's previous band, Hawkwind. They recorded sessions at Rockfield Studios in Monmouth with producer Dave Edmunds, during which Fox proved to be unreliable and was replaced by drummer Phil "Philthy Animal" Taylor, a casual acquaintance of Lemmy's. Their record label was dissatisfied with the material and refused to release it, although it was subsequently issued as On Parole in 1979 after the band had established some success.
In March 1976, deciding that two guitarists were required, the band auditioned an acquaintance of drummer Taylor's named "Fast" Eddie Clarke.[26] Wallis, who was continuing to tour with a reformed Pink Fairies, quit immediately after the auditions and Clarke remained as the sole guitarist. This trio of Lemmy/Clarke/Taylor is today regarded as the "classic" Motörhead line-up. In December, the band recorded the "Leaving Here" single for Stiff Records, but United Artists intervened to prevent its general release as the band were still under contract to them, despite the label's refusal to issue their debut album. Initial reactions to the band had been unfavourable; they won a poll for "the best worst band in the world" in the music magazine NME.[27]
By April 1977, living in squats and with little recognition, Taylor and Clarke decided to quit the band, and after some debate, they agreed to do a farewell show at the Marquee Club in London. Lemmy had become acquainted with Ted Carroll from Chiswick Records and asked him to bring a mobile studio to the show to record it for posterity. Carroll was unable to get the mobile unit to the Marquee Club, but showed up backstage after the engagement and offered them two days at Escape Studios with producer Speedy Keen to record a single. The band took the chance, and instead of recording a single they laid down 11 unfinished tracks. Carroll gave them a few more days at Olympic Studios to finish the vocals and the band completed 13 tracks for release as an album. Chiswick issued the single "Motorhead" in June, followed by the album Motörhead in August, which spent one week in the UK Albums Chart at number 43. The band toured the UK supporting Hawkwind in June, then from late July they commenced the "Beyond The Threshold Of Pain Tour" with The Count Bishops.
In July 1978, the band returned to the management of Douglas Smith, who secured a one-off singles deal with Bronze Records. The resulting "Louie Louie" single was issued in September peaking at number 68 on the UK Singles Chart, and the band toured the UK to promote it, recorded a BBC Radio 1 John Peel in session on 18 September (these tracks were later issued on the 2005 BBC Live & In-Session album), and appeared for the first time on BBC Television's Top of the Pops on 25 October.
The single's success led to Bronze extending their contract, and put the band back into the studio to record an album, this time with producer Jimmy Miller at Roundhouse Studios. A hint of what the band had recorded for the album came on 9 March 1979 when the band played "Overkill" on Top of the Pops to support the release of the single ahead of the Overkill' album, which was released on 24 March. It became Motörhead's first album to break into the top 40 of the UK Albums chart, reaching number 24, with the single reaching number 39 on the UK Singles Chart.[28] These releases were followed by the "Overkill" UK tour which began on 23 March. A subsequent single was released in June, coupling the album track "No Class" as the A-side with the previously unreleased song "Like a Nightmare" on the B-side. It fared worse than both the album and previous single but reached number 61 on the UK singles chart.
During July and August, except for a break to appear at the Reading Festival, the band were working on their next album, Bomber. Released on 27 October, it reached number 12 on the UK Albums Chart. On 1 December, it was followed by the "Bomber" single, which reached number 34 on the UK Singles Chart. The "Bomber" Europe and UK tour followed, with support from Saxon. The stage show featured a spectacular aircraft bomber-shaped lighting rig. During the "Bomber" tour, United Artists put together tapes recorded during the Rockfield Studios sessions in 1975–1976 and released them as the album On Parole, which peaked at number 65 on the UK Albums Chart in December. On 20 August 1980, the band had a 40-minute filmed slot, along with Girlschool's 20 minutes performing live at the Nottingham Theatre Royal for the Rockstage programme, broadcast on UK television by the ATV on 4 April 1981.
During August and September 1980, the band were at Jackson's Studios in Rickmansworth, recording with producer Vic Maile. The "Ace of Spades" single was released on 27 October 1980 as a preview of the Ace of Spades album, which followed on 8 November. The single reached No. 15 and the album reached No. 4 on the UK charts. Bronze celebrated its gold record status by pressing a limited edition of the album in gold vinyl.[29]
Motörhead made an appearance on Top of the Pops in November that year with "Ace of Spades", and between 22 October and 29 November the band were on their "Ace Up Your Sleeve" UK tour with support from Girlschool and Vardis, and also made an appearance as guests on the ITV children's show Tiswas on 8 November. The "Arizona desert-style" pictures used on the album sleeve and tour booklet cover were taken during a photo session at a sandpit in Barnet. "Ace of Spades", considered to be the definitive Motörhead anthem, "put a choke on the English music charts and proved to all that a band could succeed without sacrificing its blunt power and speed".
To coincide with the Ace of Spades release, Big Beat, who had inherited the Chiswick catalogue, put together four unused tracks from the Escape Studios sessions in 1977 and released them as Beer Drinkers and Hell Raisers, which reached No. 43 on the UK Singles Chart in November.
The band had more chart hits in 1981 with the releases St. Valentine's Day Massacre EP, their collaboration with Girlschool which reached No. 5 on the UK Singles Chart in February; the live version of "Motorhead", which reached No. 6 on the UK Singles Chart in July; and the album it was taken from, No Sleep 'til Hammersmith, which reached No. 1 on the UK Albums Chart in June.[30] During March 1981, the band had been touring Europe, and in the final week of the month they conducted the "Short Sharp, Pain in the Neck" UK tour from which the recordings for No Sleep 'til Hammersmith were made.
From April through to July, the band toured North America for the first time as guests of Blizzard of Ozz, an early incarnation of Ozzy Osbourne's band, but were still able to make an appearance on Top of the Pops on 9 July to promote the live "Motorhead" single. In October the band recorded tracks at BBC's Maida Vale studio for the David Jensen show broadcast on 6 October. The band commenced a European tour on 20 November, supported by Tank, after which Clarke produced Tank's debut album Filth Hounds of Hades at Ramport Studios in December and January.
Between 26 and 28 January 1982, the band started recording their self-produced new album at Ramport Studios, before moving onto Morgan Studios to continue the sessions throughout February. On 3 April the single "Iron Fist" was released, reaching No. 29 on the UK Singles Chart, followed by the parent album Iron Fist, released on 17 April and peaking at No. 6 on the UK Albums Chart. They were the last releases to feature the Lemmy, Clarke, Taylor line-up, though the line-up continued to perform in the Iron Fist UK tour between 17 March and 12 April, and the band's first headlining North America tour from 12 May until Clarke's last engagement at the New York Palladium on 14 May.
Clarke left as a consequence of the band recording Stand By Your Man, a cover version of the Tammy Wynette classic, in collaboration with Wendy O. Williams and the Plasmatics. Clarke felt that the song compromised the band's principles, refused to play on the recording and resigned, later forming his own band, Fastway. Lemmy and Taylor made numerous telephone calls to find a guitarist, including one to Brian Robertson, formerly with Thin Lizzy, who was recording a solo album in Canada. He agreed to help out and complete the tour with them. Robertson signed a one-album deal resulting in 1983's Another Perfect Day and the two singles from it, "Shine" and "I Got Mine".
In June and July the band played five dates in Japan, and from mid-October until mid-November they toured Europe. From late May until early July, the band conducted the "Another Perfect Tour", followed by an American tour between July and August, and another European tour in October and November. Robertson began to cause friction in the band as a result of his on-stage attire, consisting of shorts and ballet shoes, and with his pointblank refusal to play the old standards that every Motörhead audience expected to hear. This led to an amicable agreement that Robertson would leave, playing his last engagement with the band at the Berlin Metropol on 11 November.
After Robertson's departure in 1983, the band were sent tapes from all over the world from potential guitarists. The group returned to the concept of dual lead guitars by hiring unknowns Würzel and Phil Campbell (Persian Risk). In February 1984, the Lemmy, Campbell, Würzel, and Taylor line-up recorded "Ace of Spades" for the "Bambi" episode in the British television series, The Young Ones. Scenes of the band playing are interspersed with the characters' antics as they rush to the railway station, in a parody of The Beatles' comedy film A Hard Day's Night. Taylor quit the band after that recording, causing Lemmy to quip: "Did I leave them or did they leave me?". Before joining Motörhead, Phil Campbell had met former Saxon drummer Pete Gill, and the trio decided to call him to see if he would like to visit London. The try-outs went well and Gill was hired.
Bronze Records thought the new line-up would not make the grade and decided to "nail down the lid" on the group with a compilation album. When Lemmy found out, he took over the project, selecting tracks, providing sleeve notes and insisted that Motörhead record four brand new tracks to go at the end of each side of the album. During the sessions between 19 and 25 May 1984 at Britannia Row Studios, London, the band recorded six tracks for the single's B-side and the album. The single "Killed by Death" was released on 1 September and reached No. 51 in the UK Singles Chart, the double album No Remorse was released on 15 September and reached silver disc status, attaining the position of No. 14 in the UK Album charts.
The band were involved in a court case with Bronze over the next two years, believing that their releases were not being promoted properly, and the record company banned them from the recording studio. The band looked to more touring for income; Australia and New Zealand in late July to late August, a brief tour of Hungary in September, and the No Remorse "Death on the Road" tour between 24 October and 7 November. On 26 October the band made a live appearance on the British Channel 4 music programme The Tube, performing "Killed By Death", "Steal Your Face" (over which the programme's end-credits were played) and the unbroadcast "Overkill", before going on to their next engagement that evening. From 19 November to 15 December the band toured America with Canadian speed metal band Exciter and Danish heavy metal band Mercyful Fate and from 26 to 30 December performed five shows in Germany.
On 5 April 1985, ITV broadcast four songs that were recorded after the band went off air on their earlier appearance on The Tube programme. A week later the band, dressed in tuxedos, played four songs on the live Channel 4 music show ECT (Extra-Celestial Transmission). To celebrate the band's 10th anniversary, two shows were arranged at Hammersmith Odeon on 28 and 29 June, a video of the second show was taken and later released as The Birthday Party. From early June until early August the band were on their 'It Never Gets Dark' tour of Sweden and Norway, an American tour followed in mid-November until late December.
From 26 March to 3 April 1986, the band toured Germany, the Netherlands and Denmark on their "Easter Metal Blast" and in June, played two dates in Bologna and Milan in Italy. The court case with Bronze was finally settled in the band's favour. The band's management instigated their own label, GWR. Recording took place in Master Rock Studios, London and the single "Deaf Forever" was released on 5 July as a taster for the Orgasmatron album, which was released on 9 August. On the same day as the release of the album, Lemmy and Würzel were interviewed by Andy Kershaw on the BBC Radio 1 Saturday Live show and "Orgasmatron" and "Deaf Forever" were played. The single reached No. 67 and the album reached No. 21 in the UK charts. On 16 August, the band played at the Monsters of Rock at Castle Donington and was recorded by BBC Radio 1 for a future Friday Rock Show broadcast. The performance closed with a flypast by a couple of Second World War German aircraft. In September the band conducted their "Orgasmatron" tour in Great Britain, supported by fledgling act Zodiac Mindwarp and the Love Reaction. In October they toured America and in December were in Germany.
In 1987, during the filming of Eat the Rich – in which Lemmy was taking a starring role alongside well-known comedy actors such as Robbie Coltrane, Kathy Burke, the regulars from The Comic Strip ensemble, and various other musician cameo appearances – Gill left the band and Taylor returned to appear in the band's cameo as "In House Club Band" alongside Würzel and Campbell. The band wrote "Eat the Rich" especially for the film, its soundtrack featured tracks from Orgasmatron and Würzel's solo single "Bess". The band's second album for GWR was Rock 'n' Roll, released on 5 September, after a tight work schedule in the studio. While having some popular tracks and using "Eat the Rich" as its second track, the band commented that the album was virtually "nailed together".
On 2 July 1988 Motörhead were one of the performers at the Giants of Rock Festival in Hämeenlinna, Finland. The tracks were released as No Sleep at All on 15 October. A single from the album was planned with the band wanting "Traitor" as the A-side, but "Ace of Spades" was chosen instead. When the band noticed the change, they refused to allow the single to be distributed to the shops, and it was withdrawn and became available only on the "No Sleep at All" tour and through the Motörheadbangers fan club. While they continued to play live shows during 1989 and 1990, Motörhead once again felt unhappy with their career, and a court case with GWR followed, which was not resolved until mid-1990.
With the court case resolved, Motörhead signed to Epic/WTG and spent the last half of 1990 recording a new album and single in Los Angeles. Just prior to the album sessions the band's former manager, Doug Smith, released the recording of the band's 10th anniversary show, much against the bands wishes, having previously told him that they did not want it released, in 1986. In the studio they recorded four songs with producer Ed Stasium, before deciding he had to go.
When Lemmy listened to one of the mixes of "Going to Brazil", he asked for him to turn up four tracks, and on doing so heard claves and tambourines that Stasium had added without their knowledge. Stasium was fired and Peter Solley was hired as producer. The story according to Stasium was that Lemmy's drug and alcohol intake had far exceeded the limitations of Stasium's patience so he quit.[31] The single "The One to Sing the Blues" issued on 24 December 1990 (7" and CD) and 5 January 1991 (12"), was followed by the album 1916 on 21 January. The single, which was issued in 7", cassette, shaped picture disc, 12" and CD single, reached No. 45 in the UK Singles Chart, the album reached No. 24 in the UK Album Charts.
The band conducted their "It Serves You Right" tour of Britain in February, the "Lights Out Over Europe" tour followed, lasting until early April, when the band returned to Britain to play another six venues. In June the band played five dates in Japan and five dates in Australia and New Zealand. Between July and August, they played across the United States with Judas Priest, Alice Cooper, Metal Church and opener Dangerous Toys on the "Operation Rock 'n' Roll" tour. The band finished the year with six dates in Germany during December.
On 28 March 1992, the band played what would turn out to be Taylor's last engagement at Irvine Meadows, Irvine, California. The band had been wanting Lemmy to get rid of their manager, Doug Banker, for some time and after an unsolicited visit from Todd Singerman, who insisted he should manage them despite never having managed a band before, the band met with Singerman and decided to take him on board, firing Banker. In the midst of this, the band were recording an album at Music Grinder Studios, in the city's east part of Hollywood during the 1992 Los Angeles riots. Three drummers participated in the making of the March ör Die album: Phil Taylor, who was fired because he did not learn the drum tracks on the song "I Ain't No Nice Guy"; Tommy Aldridge who recorded most of the material on the album; and Mikkey Dee, who recorded "Hellraiser", a song originally written by Lemmy for Ozzy Osbourne's No More Tears album. March ör Die features guest appearances by Ozzy Osbourne and Slash and was released with somewhat mixed reception.
Lemmy had known Mikkey Dee from the time when King Diamond had toured with Motörhead. He had asked Dee to become Motörhead's drummer before, but Dee had declined due to his commitment to King Diamond. On this occasion, Dee was available and met the band to try out. Playing the song "Hellraiser" first, Lemmy thought "he was very good immediately. It was obvious that it was going to work." After recording "Hellraiser" and "Hell on Earth" in the studio,[32] Dee's first engagement with Motörhead was on 30 August at the Saratoga Performing Arts Center. The new line-up then went on tour, playing dates with Ozzy Osbourne, Skew Siskin and Exodus. On 27 September, the band played at the Los Angeles Coliseum with Metallica and Guns N' Roses. The band toured Argentina and Brazil during October and conducted the "Bombers and Eagles in '92" tour of Europe with Saxon throughout December.
Motörhead played two dates at the Arena Obras Sanitarias in Buenos Aires in April 1993 and toured Europe from early June until early July, returning to the United States to play one show at the New York Ritz on 14 August. A new producer was sought for the band's next album and eventually Howard Benson, who was to produce the band's next four albums, was chosen. The band recorded at A&M Studios and Prime Time Studios in Hollywood and the resultant album, titled Bastards, was released on 29 November 1993. The single "Don't Let Daddy Kiss Me" included the song "Born to Raise Hell", which also appeared on the album and would later be re-recorded with collaborative vocals from both Ice-T and Ugly Kid Joe frontman Whitfield Crane for the soundtrack of the movie Airheads (in which Lemmy also made a cameo appearance) and released as a single in its own right. Although Bastards received airtime, the record company ZYX Music would not pay for promotional copies, so the band sent out copies themselves. A further tour of Europe was made throughout December that year.
In February and March 1994, Motörhead toured the United States with Black Sabbath and Morbid Angel. In April the band resumed their tour of the States until early May, playing an engagement with the Ramones on 14 May at the Estadio Velez in Buenos Aires, attracting a crowd of 50,000 people. The band toured Japan in late May and Europe in June, August and December.
The band's 1995 touring schedule began in Europe in late April. In June, they went on a second tour with Black Sabbath, this time supported by Tiamat, until the band succumbed to influenza and headed back to Los Angeles and Cherokee Studios in Hollywood where they were to record an album. During the sessions it became clear that Würzel was not extending himself and left the band after the recording. The title track from the album, Sacrifice, was later used in the movie Tromeo and Juliet, a film in which Lemmy appears as the narrator. The band decided to continue as a three-man line-up and a tour of Europe was performed throughout October and the first two days of November. A three-day tour of South America followed the week after. Lemmy celebrated his 50th Birthday later that year with the band at the Whisky a Go Go in Los Angeles; Metallica played at the event under the name "The Lemmy's".
In 1996, the band began touring the States in early January and played 30 venues up to 15 February; a seven-date tour of Europe in June and July was followed by two engagements in South America during August. A tour of the United States with Belladonna and Speedball began with two shows (Los Angeles & Hollywood) in early October 1996 and concluded in Washington on 4 December. During this time the band had recorded Overnight Sensation, at Ocean Studio and Track House Recording Studio. The album was released on 15 October, the first official album of the band as a three-piece since Another Perfect Day and the best distributed album the band had had for years. The band concluded the year's touring with 13 dates in Germany.
During 1997, the band toured extensively, beginning with the first leg of the Overnight Sensation tour in Europe on 12 January at the London Astoria, where the guest musicians were Todd Campbell, Phil Campbell's son, on "Ace of Spades" and "Fast" Eddie Clarke for "Overkill". The European leg lasted until March and was followed by four dates in Japan, from late May to 1 June, and an American tour with W.A.S.P. throughout the rest of June. In August, three dates in Europe were followed by seven dates in Britain, which ended with a show at the Brixton Academy on 25 October, where the guest musician was Paul Inder, Lemmy's son, for "Ace of Spades". A further four dates in October in Russia concluded the year 1997.
Lemmy recalled that the touring was going particularly well, with some countries like Argentina and Japan putting the band in larger venues, and the English promoters discovered that "they could turn a nice profit with Motörhead shows". In his opinion, the three-piece line-up was performing excellently and it was high time they made another live record.[33] The band did eventually, but made another studio album first, Snake Bite Love, recorded in various studios and released on 3 March 1998.
The band joined with Judas Priest at the Los Angeles Universal Amphitheatre on 3 April, to begin their "Snake Bite Love" tour. On 21 May, Motörhead were recorded at The Docks in Hamburg. The tracks from this performance were later released as Everything Louder Than Everyone Else. The band were invited to join the Ozzfest Tour and played dates across the States during early July until early August and were in Europe from early October until late November. The British leg of the tour was dubbed the "No Speak With Forked Tongue" tour and included support bands Groop Dogdrill, Radiator and Psycho Squad.
In 1999 Motörhead made a tour of the states between 20 April and 2 June, before going to Karo Studios in Brackel, Germany to record their next album, We Are Motörhead, which was released in May the following year. During the time the album sessions took place, the band played at venues around Europe, the first of which was at Fila Forum in Assago, near Milan, where Metallica's James Hetfield joined the band on-stage to play "Overkill". In October and early November, the band toured the states with Nashville Pussy. Throughout the rest of November, the band conducted their European "Monsters of the Millennium" tour with Manowar, Dio and Lion's Share, ending the Millennium with two shows at the London Astoria. The two shows were billed under the Kerrang! "X-Fest" banner and at the first show were supported by Backyard Babies and during the second show guest vocals were provided by Skin from Skunk Anansie and Nina C. Alice from Skew Siskin for "Born to Raise Hell", and Ace from Skunk Anansie played "Overkill" with the band.
In May 2000, the release of We Are Motörhead' and the single from it, a cover of the Sex Pistol's "God Save the Queen", coincided with the start of the band's "We Are Motörhead" tour across South and North America during May and June, with a further nine shows across in Europe in July. Shows in the United States and France were followed by the release of a double-disc compilation album, The Best Of, on 26 August.
Four dates in Japan preceded the band's 25th anniversary concert on 22 October at the Brixton Academy in London, where guest appearances were made by "Fast" Eddie Clarke, Brian May, Doro Pesch, Whitfield Crane, Ace, Paul Inder and Todd Campbell. The show also featured the return of the Bomber lighting rig. The event was filmed and released the following year as the 25 & Alive Boneshaker DVD, and the CD of the show, Live at Brixton Academy, was released two years after that. Lemmy states the reason for the DVD as wanting "to record it for the posterity or whatever it is. I nodded off through the 10th anniversary, we never did anything on the 20th, so the 25th made sense."
A tour of West and East Europe followed the anniversary concert, taking the band through October, November and December. The schedule for the Eastern European tour was quite brutal, involving two 18-hour drives back-to-back and little time off, at the Warsaw venue the band did not arrive until 11 o'clock and the crew were still loading into the venue at one in the morning, while the fans waited.[34]
After taking a month off, the band began working on a new album at Chuck Reid's house in the Hollywood Hills. This album, Hammered, was released the following year. On 1 April 2001, the band gave a one-song performance of "The Game" for Triple H's entrance at WrestleMania X-Seven at the Reliant Astrodome in Houston. The second leg of the "We Are Motörhead" tour began in May in Ireland, moving across to the United Kingdom. In Manchester, the band were supported by Goldblade, and by Pure Rubbish at the two London shows. The second London show also included Backyard Babies and Paul Inder, who was guest musician for "Killed By Death". Between June and August, Motörhead played at a number of rock festivals in Europe; including as the Graspop Metal Meeting in Belgium, the Quart Festival in Norway, and the Wacken Open Air on 4 August, where four songs were recorded for the 25 & Alive Boneshaker DVD. The band returned to the States for a seven show tour between late September and early October.
In April 2002, a DVD of some of Motörhead's performances from the 1970s and 1980s along with some stock footage of the band was released as The Best of Motörhead. Two weeks earlier, the Hammered album was released and supported by the "Hammered" tour, which kicked off in the States at around the same time. The United States dates continued until late May, and a European leg followed between June and August. In October, the band played five dates in Great Britain with Anthrax, Skew Siskin and Psycho Squad. The final venue was the Wembley Arena in London, where instead of Psycho Squad, the band were supported by Hawkwind, with Lemmy performing "Silver Machine" on stage with them. Throughout the rest of October and better part of November, the band were on a European tour with Anthrax.
In April and May 2003, the band continued to promote the Hammered album in the States, and on the three dates Phil Campbell had to miss, his mother having died, Todd Youth stood in for him. Between late May and mid-July the band played seven dates at Summer Festivals in Europe and from late-July until the end of August, they were touring the United States with Iron Maiden and Dio. On 7 October a comprehensive five-disc collection of the band's recordings covering 1975–2002 was released as Stone Deaf Forever!. On 1 September 2003, the band returned to Hollywood's Whisky A Go-Go club for the Hollywood Rock Walk of Fame Induction. During October, the band performed a tour of Great Britain with The Wildhearts and Young Heart Attack. The band performed seven shows across Belgium, the Netherlands and Spain between 21 and 28 October and from late November until early December they were in Germany and Switzerland, touring with Skew Siskin and Mustasch. On 9 December, the previously recorded Live at Brixton Academy album was released.
Motörhead performed an invitation-only concert at the Royal Opera House in Covent Garden, London on 22 February 2004; at Summer Festivals in South America during May; and in Europe during June, July and August. They had already spent time in the studio, working on Inferno, which was released on 22 June and followed by the "Inferno" tour of Ireland with Class of Zero for three dates. Joined by Sepultura, the tour hit Great Britain. Some of the London show at the Hammersmith Apollo was filmed for TV as Gene Simmons introduced the extra opening act The Class, made up of school children from his Channel 4 series Rock School. Würzel guested on "Overkill". The band continued the tour with Sepultura across Europe through the rest of November and December. At the show in Magdeburg, Germany on 4 December Motörhead joined Sepultura on stage during their support slot playing the song "Orgasmatron", in celebration of Sepultura's 20th Anniversary. The show on 7 December at the Philipshalle in Düsseldorf was recorded and later released as the Stage Fright DVD.
Motörhead picked up their first Grammy in the awards of 2005 in the Best Metal Performance category for their cover of Metallica's "Whiplash" on Metallic Attack: The Ultimate Tribute.[35] "They've managed to get the knife in," Lemmy grumbled. "It was only a mercy fuck – it was our 30th anniversary. If they gave us a Grammy for one of our albums or songs, it would mean something."[36]
From March until early May 2005, the band toured the United States, and in June and August were on the "30th Anniversary" tour in Europe. On 22 August, they were the subject of an hour-long documentary, Live Fast, Die Old, aired on Channel 4 as part of The Other Side series of documentaries, filmed by new and established directors.[37][38]
On 20 September, a compilation containing the band's appearances on BBC Radio 1 and a concert recording from Paris Theatre, London, was released as BBC Live & In-Session. In October, the band toured Europe with Mondo Generator before returning to Britain to tour with In Flames and Girlschool in October and November. During the show at the Brixton Academy on 19 November, Lemmy joined Girlschool on stage to play "Please Don't Touch". Motörhead finished the year's tours in December, with two engagements in New Zealand and five in Australia with Mötley Crüe. Also in 2005, Motörhead played on the Vaya Con Tioz farewell festival Böhse Onkelz at Lausitzring. In 2006, the band performed a four-date House of Blues tour in the States in March with Meldrum and from June until early August played at European open-air festivals with some indoor headlining shows. On 28 October, the band performed at The Rock Freakers Ball in Kansas City before heading off to tour Great Britain with Clutch and Crucified Barbara.
During that tour, Kiss of Death was released on 29 August 2006 via Sanctuary Records, with a video for "Be My Baby" and the final album to feature artwork by longtime artist Joe Petagno. The tour ended on 25 November at the Brixton Academy, where Phil Campbell played on "Killed By Death" during Crucified Barbara's support set. Twelve shows in Europe with Meldrum took them through the end of November to early December, the first two shows also featuring Skew Siskin.
In November, the band agreed to a sponsorship deal with the Greenbank B under-10s football team from North Hykeham, Lincoln, putting the band's name as well as War-Pig on the team's shirts; the under-10s run out to "Ace of Spades". Lemmy is old friends with Gary Weight, the team's manager; Weight "sent an email off to them and they came back and said it was a great idea" and hopes the deal will draw inspired performances from his team. On 25 April 2007, the band played at the Poliedro de Caracas in Caracas, Venezuela, and on 29 April at the Fundiçao Progresso, Rio de Janeiro.[39] In June, Motörhead played an engagement at the Royal Festival Hall as part of Jarvis Cocker's Meltdown. On 26 February 2008, No Sleep 'til Hammersmith was reissued again as a two disc CD.
From March through to June 2008, the band convened in Los Angeles with producer Cameron Webb to begin work on their 19th album Motörizer. Mikkey Dee's drum tracks were recorded at Dave Grohl's studio. Motörizer was released on 26 August. It does not feature artwork by Joe Petagno, the artist who designed many of their classic covers. In June 2008 the band performed on the main stage of the Download festival. Between 6 and 31 August, Motörhead joined Judas Priest, Heaven & Hell and Testament on the Metal Masters Tour. On 20 August the band played at the Roseland Ballroom, New York, as part of "The Volcom Tour 2008", which continued with The Misfits, Airbourne, Valient Thorr and Year Long Disaster at House of Blues, Anaheim, California on 2 September, playing a further thirteen dates. The band concluded the tour without the supporting bands, playing one more show at the Roseland Ballroom on 20 September, and the final engagement, at The Stone Pony, Asbury Park, New Jersey on 21 September. The year's touring ended with a 34-date tour of Europe with a variety of support bands including Danko Jones, Saxon, Witchcraft, and Airbourne.
On 6 March 2009, the band played in the Middle East for the first time, at the annual Dubai Desert Rock Festival. On 1 April Motörhead were reported to have entered into a two-year sponsorship deal with UK Roller Derby team the Lincolnshire Bombers Roller Girls.[40] That September, noted drummer Matt Sorum filled in for Mikkey Dee for a U.S. tour. "I was absolutely blown away and was very honoured to get the call," Sorum said. "You know what I love about Lemmy? He's always on time. We go on stage, no delays. Being in bands where you have to wait around for a couple of hours fucks you up."[41]
In November 2009, the band were supported by NWOBHM veterans Sweet Savage on the Irish leg of the tour (30 years after first sharing the stage together) and punk and goth rock legends The Damned on the UK leg of their world tour. On The Damned's official website, Captain Sensible said: "Ha ha ... we're working with Lemmy again, are we? Excellent! He's the real deal, the absolute antithesis to all that the likes of Simon Cowell stand for. And for that we should all be grateful. This tour will be a celebration of all things rock 'n' roll ... pity the poor roadies is all I can say!"[42]
In a November 2009 interview with ABORT Magazine's E.S. Day, Lemmy said that Motörhead would enter the studio in February 2010 "to rehearse, write and record" their 20th studio album, to be released by the end of the year.[43] The album was recorded with Cameron Webb and Welsh producer Romesh Dodangoda in Longwave Studio, Cardiff. In an interview with Hungarian television in July 2010, drummer Mikkey Dee announced that the album was finished, with 11 tracks. The album's name was said to be The Wörld Is Yours. On 3 November 2010, Future plc, a UK media company, announced that Motörhead were to release The Wörld is Yours via an exclusive publishing deal with Classic Rock magazine on 14 December 2010. The standard CD release of The Wörld is Yours would go on sale on 17 January 2011, through Motörhead's own label, Motörhead Music.[44]
To coincide with the release of their upcoming album, Motörhead embarked on a 35th Anniversary UK tour, from 8–28 November 2010, and a European tour from 30 November 2010 – 19 December 2010. They also took their tour to the Americas in 2011. In October, the band recorded a slow blues version of their longtime hit "Ace of Spades" for a TV spot for Kronenbourg beer.[45] On 5 December the single "Get Back in Line" was released, followed by the release of a video for the single on 6 December.[46]
On 17 January 2011, it was announced that Motörhead would be part of the Sonisphere Festival in Knebworth. In August 2011, they headlined the Brutal Assault open-air festival in the Czech Republic. On 2 March 2011 Motörhead performed on Late Night with Jimmy Fallon.[47] On 9 July 2011, former guitarist Würzel died of a heart attack.[48] In celebration of 35 years' touring, in late 2011 the band released the live DVD The Wörld Is Ours – Vol 1 – Everywhere Further Than Everyplace Else, including performances at the O2 Apollo Manchester, Best Buy Theater, New York City and Teatro Caupolicán, Santiago de Chile. On 19 December 2011, it was announced that Motörhead would play at the German festivals Rock am Ring and Rock im Park in Nürburgring and Nuremberg respectively in June 2012. On 12 January 2012, it was announced that Motörhead were touring the US and Canada in early 2012, along with three other metal bands Megadeth, Volbeat and Lacuna Coil. The Gigantour took place from 26 January to 28 February 2012, but Motörhead missed the final four shows because Lemmy had a combination of an upper respiratory viral infection and voice strain, resulting in severe laryngitis. Lemmy wrote on Facebook, "I'm giving my voice a good rest", hoping he would recover soon to play at the Mayhem Festival, which was held from 30 June to 5 August 2012. Motörhead also took part on 23 June in the Rock-A-Field Luxembourg Open Air Festival in Roeser.
In an April 2012 interview with Classic Rock Revisited, Lemmy was asked if Motörhead were planning to make a follow-up to The Wörld Is Yours. He replied, "We have not started writing any songs yet but we will. We put out an album out every two years. I will continue to do that as long as I can afford an amp."[49] On 28 June 2012, Lemmy told Auburn Reporter that Motörhead will release their next album in 2013 and they had written "about 6 songs so far." On 23 October 2012, Lemmy told Billboard.com that the band had planned to enter the studio in January to begin recording the album for a mid-2013 release. On 28 February 2013, it was announced that Motörhead had begun recording their new album. Motörhead released the live DVD The Wörld Is Ours – Vol. 2 – Anyplace Crazy As Anywhere Else in September 2012. On 18 June 2013, the new album's title was revealed to be Aftershock.
In mid-November 2013, Motörhead were due to embark on a European tour alongside Saxon, followed by a tour in Germany and Scandinavia due to last until mid December 2013 but the dates were postponed and rescheduled for February and March 2014 due to Lemmy's health problems. However, in January 2014, Motörhead announced the cancellation of the new February and March dates of their European tour as Lemmy was still to reach full recovery from diabetes related health problems.[50] But the same month, the band was confirmed for Coachella Festival to take place across two weekends in spring 2014 (12–14 and 19–21 April) in Indio, California, the exact dates to be revealed as 13 and 20 April 2014. In February 2014, Motörhead confirmed a Summer tour 2014 with eight European dates (from 24 June to 10 August) in France (2 dates), Switzerland, Italy, Germany (2 dates), Russia and Ukraine. In March 2014, the band announced a Los Angeles date on 11 April 2014 at Club Nokia. Later on, two new dates on 17 and 18 April 2014 respectively in Las Vegas (Pearl) and San Francisco (Warfield) were added. Still in March 2014, Motörhead announced that three heavy metal bands Megadeth, Anthrax and themselves would perform from 22 to 26 September 2014 at the first annual Motörhead's Motörboat cruise on board the Carnival Ecstasy (self-proclaimed "The Loudest Boat in the World"), due to sail from Miami and visit the ports of Key West and the Cozumel island just off Mexico's Yucatán Peninsula.
In a September 2014 interview on Full Metal Jackie, Lemmy stated that Motörhead would "probably" enter the studio in January 2015 to start work on their 22nd studio album for a tentative late 2015 release. On 25 February 2015, Motörhead officially confirmed that they were in the studio recording their new album in Los Angeles with longtime producer Cameron Webb. On 27 May 2015, the band released teasers on their Facebook page with the roman number "XXXX" on it. On 4 June the new album (which would be their last) Bad Magic was launched for pre-order on Amazon, revealing its title and cover art which also shows the "XXXX", coinciding with the 40th anniversary of the band. The album was released on 28 August 2015. The band performed at the UK's Glastonbury Festival in June 2015. Their final UK gig was at the Eden Project on 27 June 2015.
While touring the album as the "40th anniversary Tour" alongside Saxon and Crobot, Motörhead had to cut short their Salt Lake City show on 27 August 2015 (in the Rocky Mountains) due to Lemmy's breathing problems (the result of an altitude sickness) and then they had to cancel completely day-off their Denver Riot Fest set on 28 August 2015. Their tour picked up again on 1 September 2015 at Emo's in Austin, Texas (moved from Cedar Park Center) but the group were again forced to abandon their set after three songs and to cancel subsequent shows (from the show on 2 September 2015 in San Antonio, Texas to the show on 5 September 2015 in Houston, Texas included).
Despite his ongoing health issues forcing Motörhead to cut short or cancel several US shows, Lemmy Kilmister was able to bounce back in time for the remaining North American dates, trio's annual Motörboat heavy metal cruise from Miami to the Bahamas which ran from 28 September through 2 October 2015 including performances by bands such as Slayer, Anthrax, Exodus, Suicidal Tendencies, High on Fire and Corrosion of Conformity. For this occasion, Motörhead performed live two entire (identical) sets on 30 September and 1 October 2015.
Motörhead continued the "40th Anniversary Tour" in Europe in November and December. They played concerts in Germany, Sweden, Norway and Finland. Their final concert was in Berlin, Germany on 11 December 2015. After Lemmy's death, drummer Mikkey Dee spoke in an interview about him: "He was terribly gaunt. He spent all his energy on stage and afterwards he was very, very tired. It's incredible that he could even play, that he could finish the Europe tour. It was only 20 days ago. Unbelievable." The "40th Anniversary Tour" was planned to continue in January 2016 in the band's home country the UK, alongside Girlschool. The first concert would have been in Newcastle on 23 January 2016.[51]
On 28 December 2015, Lemmy died, four days after celebrating his 70th birthday. He was the second Motörhead member to die in 2015, following Phil Taylor the previous month. The band posted the following message on Facebook:
There is no easy way to say this... our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learnt of the disease on December 26th, and was at home, sitting in front of his favorite video game from The Rainbow which had recently made its way down the street, with his family.
We cannot begin to express our shock and sadness, there aren't words.
We will say more in the coming days, but for now, please... play Motörhead loud, play Hawkwind loud, play Lemmy's music LOUD. Have a drink or few.
Share stories.
Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.
HE WOULD WANT EXACTLY THAT.
Ian 'Lemmy' Kilmister
1945–2015
Born to lose, lived to win.[52]
The following day, drummer Mikkey Dee confirmed that Motörhead would not continue, stating, "Motörhead is over, of course. Lemmy was Motörhead. We won't be doing any more tours or anything. And there won't be any more records. But the brand survives, and Lemmy lives on in the hearts of everyone." Two days after Lemmy's death, guitarist Phil Campbell also stated that "Motörhead is no longer".[53]
The Head Cat (2000 - 2015)[]
The Head Cat would form in 2000 as a rockabilly supergroup formed by vocalist/bassist Lemmy (of Motörhead), drummer Slim Jim Phantom (of The Stray Cats) and guitarist Danny B. Harvey (of Lonesome Spurs and The Rockats). Lemmy died in 2015 and as of 2017, former Morbid Angel member David Vincent took Lemmy's place as vocalist and bassist.
The Head Cat was formed after recording the Elvis Presley tribute album Swing Cats: A Special Tribute to Elvis in July 1999 to which the future bandmates all contributed. After recordings were finished they stayed at the studio and Lemmy picked up an acoustic guitar and started playing some of his old favorite songs by Johnny Cash, Buddy Holly, and Eddie Cochran. The rest of the guys knew them all and joined in. The name of the band was created by combining the names Motörhead, The Stray Cats, and 13 Cats, which resulted in The Head Cat, similar to what Lemmy did in 1980 with Headgirl, a collaboration between Motörhead and Girlschool.
In 2006, the band released their first studio album on June 27, Fool's Paradise, which was a re-release of an earlier album titled Lemmy, Slim Jim & Danny B recorded in September 1999, even though Fool's Paradise does not include three songs from the first release and the track list is in a different order. It included cover songs from artists such as Buddy Holly, Carl Perkins, Jimmy Reed, T-Bone Walker, Lloyd Price, Elvis Presley, and Johnny Cash. On the recordings, Lemmy played acoustic guitar in live performances too including Rockin' The Cat Club, the only live album the band had. In later years, Lemmy began to use his signature Rickenbacker bass in live performances, saying "I'm just not that good on guitar". Before that re-release, a DVD of a live performance was released on 25 April 2006. The album was recorded on 13 January 2004 and was released in 2006 on limited vinyl 322 copies too. It was filmed at the Phantom's Cat Club on the Sunset Strip in Los Angeles and included 13 live songs and interviews with the band.
The band's second studio album (or third altogether), Walk the Walk...Talk the Talk, was recorded by the Niji Entertainment Group in June 2010, released in 2011. This was the first new material by the band in eleven years, following up from the Lemmy, Slim Jim & Danny B album in 1999. It has two original songs "American Beat" and "Eagles Fly On Friday". While the first album was all acoustic and the second album was half-acoustic, the third album (second studio) was all electric with Lemmy playing bass like in Motörhead.
Personal Life[]
Life, Promiscuity and Views[]
Lemmy has at least two children. At the age of 17, Lemmy met a holidaying girl named Cathy. He followed her to Stockport, where she gave birth to his son Sean, who was put up for adoption. In the 2010 documentary film Lemmy, he mentioned having a son whose mother had only recently reconnected with him and "hadn't got the heart to tell him who his father was". Later, during his time with The Rockin' Vickers, he slept with a woman in Manchester named Tracy; she had a son, Paul Inder, whom Lemmy met six years later. As an adult, Inder became a guitarist and occasionally joined Lemmy onstage.
Lemmy lived in Los Angeles from 1990 until his death in 2015, his last residence being a two-room apartment two blocks away from his favourite hangout, the Rainbow Bar and Grill.[54] Reflecting on the move in a 2010 interview, Lemmy stated that he "had about £500 left in the bank" and thought "that that was the end for me." He however noted in the interview and in his book that is was one of the best decisions he ever made, also noting "Suddenly, we were this foreign band and that had a kind of appeal."[55]
In the 2005 Channel 4 documentary Motörhead: Live Fast, Die Old, it was claimed that Lemmy had slept with over 2,000 women. He later quipped, "I said more than 1,000; the magazine made 2,000 of it." Maxim had Lemmy at No. 8 on its top ten "Living Sex Legends" list, as they claimed that he had slept with around 1,200 women.[56] He is featured in the book Sex Tips from Rock Stars by Paul Miles.[57]
Dave Grohl, on his Probot website, describes musicians with whom he has worked. In his entry for Lemmy, he wrote: "We recorded [Lemmy's] track in Los Angeles in maybe two takes about a year and a half ago. Until then I'd never met what I'd call a real rock 'n' roll hero before. Fuck Elvis and Keith Richards, Lemmy's the king of rock 'n' roll—he told me he never considered Motörhead a metal band, he was quite adamant. Lemmy's a living, breathing, drinking and snorting fucking legend. No one else comes close.[58]
Lemmy was well known for his alcohol abuse. The documentary Motörhead: Live Fast Die Old stated that he drank a bottle of Jack Daniel's every day and had done so since he was 30 years old.[59] In 2013, he stopped drinking Jack Daniel's for health reasons.[60] During his time with Hawkwind, he developed an appetite for amphetamines and LSD, particularly the former. Before joining Hawkwind, he recalled Dik Mik, a former Hawkwind sound technician, visiting his home in the middle of the night and taking amphetamines with him. They became interested in how long "you could make the human body jump about without stopping", which they did for a few months until Mik ran out of money and wanted to return to Hawkwind, taking Lemmy with him: "I first got into speed because it was a utilitarian drug and kept you awake when you needed to be awake when otherwise you'd just be flat out on your back. If you drive to Glasgow for nine hours in the back of a sweaty truck you don't really feel like going onstage feeling all bright and breezy. [...] It's the only drug I've found that I can get on with, and I've tried them all – except smack [heroin] and morphine: I've never "fixed" [injected] anything."[61]
Lemmy also noted being adamantly against doing heroin, stating a former girlfriend who overdosed and drowned in his teenage years. Despite his disinterest in the drug, In November 2005, he was invited to the National Assembly for Wales as a guest speaker by Conservative member William Graham. He was asked to express his views on the detrimental effects of drugs and called for the legalization of heroin. He stated that legalization would eradicate the drug dealer from society and generate money from its taxation, however hard this would be to accept.[62]
Film and Television Appearances[]
Lemmy made appearances in film and television in his career. His earliest non-music film appearances would include the 1990 science fiction film Hardware and the 1987 comedy Eat the Rich, for which Motörhead also recorded the soundtracks including the title song. He appeared as himself in the 1986 The Comic Strip Presents... episode "More Bad News", along with fellow heavy metal musicians Ozzy Osbourne, the Scorpions and Def Leppard. In 1984, Motörhead were the musical guests on the TV show The Young Ones, in the episode "Bambi". He appears in the 1994 comedy Airheads in which he is credited as "Lemmy von Motörhead" and notably the film that spawned the infamous "Lemmy is God" line.[63][64] Lemmy has a cameo in Ron Jeremy's 1994 pornographic film John Wayne Bobbitt Uncut as the discoverer of Bobbitt's severed penis. The appendage is thrown from the window of a moving car and lands at Lemmy's feet who exclaims: "Looks like a dick! Fucking hell! Ah well, it's not mine at least." The film's soundtrack also features the Motörhead song "Under the Knife".[65]
He has also appeared in several movies from Troma Entertainment, including the narrator in 1996's Tromeo and Juliet and as himself in both Terror Firmer and Citizen Toxie: The Toxic Avenger IV. His last role was portraying the President of the United States in Return to Nuke 'Em High (And a posthumous appearance in it's sequel Return To Return To Nuke Em' High). He has a cameo role in the film Down and Out with the Dolls (Kurt Voss, 2001). He appears as a lodger who lives in a closet. He appeared on Down and Dirty with Jim Norton as the series DJ, and also wrote the theme music.
He appeared in a 2001 advertisement for Kit Kat, playing violin as part of a string quartet in a genteel tearoom.[66] In 2015, Lemmy appeared as a central figure in the Björn Tagemose-directed silent film Gutterdämmerung opposite Grace Jones, Henry Rollins, Iggy Pop, Tom Araya of Slayer and Eagles of Death Metal's Jesse Hughes.[67] He would appear in a posthumous ad for Finnish milk company Valio, stating "I don't drink milk... And I never will... You asshole!". The commercial in itself is a re-imagining of a Valio commercial from 1990.[68][69]
The Lemmy Documentary[]
The 2010 rockumentary film Lemmy was directed and produced by Greg Olliver and Wes Orshoski. It consists of a combination of 16 mm film and HD video footage, produced over three years.[70] It features interviews with friends, peers, and admirers such as Dave Grohl, Slash, Ozzy Osbourne, James Hetfield, Lars Ulrich, Kirk Hammett, and Robert Trujillo of Metallica, David Ellefson of Megadeth, Scott Ian of Anthrax, Alice Cooper, Peter Hook of Joy Division/New Order, Dee Snider, Nikki Sixx, Mick Jones of the Clash, Ice-T, Kat Von D, Henry Rollins, Lars Frederiksen of Rancid, Jim Heath of The Reverend Horton Heat, Slim Jim Phantom of the Stray Cats, Mike Inez, Joan Jett, pro skateboarder Geoff Rowley, pro wrestler Triple H, "Fast" Eddie Clarke, Jarvis Cocker, Marky Ramone, former Hawkwind bandmates Dave Brock and Stacia, and Steve Vai.[71]
The rockumentary would attain critical acclaim and currently holds an 82% rating on Rotten Tomatoes. NME's Hamish MacBain gave Lemmy a positive review (8 out of 10) and noted that "[h]earing him roar the words to 'Rock It' alone is reason enough to watch this movie".[72] The review by The Hollywood Reporter found the film's content "entertaining enough, to convey the subject's appeal to audiences beyond the metal crowd."[73] After the film's world premiere, Wired magazine wrote that the film "mines pure gold" and Marc Savlov of The Austin Chronicle wrote, "What's in a name? Lemmy, Greg Olliver and Wes Orshoski's portrait of Motorhead founder Lemmy Kilmister, is one of the most thorough and entertaining rock and roll documentaries since Ondi Timoner's Dig! Like its subject, it's by turns philosophical, brash, and thoroughly kickass." A review at CinemaFunk explains that the film is "relatively straight forward and does not have aesthetic choices beyond shooting the damn thing, portraying it, and moving on" and that there "is no better way to explain Lemmy's own ideologies". Reviewing the film for Twitchfilm.net, Brandon Tenold said that while it wasn't an all-time classic like Woodstock or Gimme Shelter, it was still "an affectionate and fun snapshot of one of rock n' roll's most distinctive and enduring figures".[74] The film would attain Gold certifications in the United States, the United Kingdom and Germany.
Appearances in Video Games[]
He was the main character in the 16-bit video game Motörhead, a beat-em'-up game released for the Commodore Amiga and Atari ST in 1992.[75] Lemmy provided his voice as the Arms Dealer in the 2006 game Scarface: The World Is Yours.[76] Lemmy also appeared as an unlockable character in the 2009 game Guitar Hero: Metallica.[77] He also provided his voice for the 2009 video game Brütal Legend, voicing the Kill Master, a character designed and based on his surname and likeness along with several Motörhead songs in the game.[78]
Lemmy was also the inspiration for the Mario game character Lemmy Koopa, who made his first appearance in Super Mario Bros. 3.[79] On 30 September 2008, Reuters reported that Neverdie Studios had signed a deal with Lemmy and Motörhead to develop and market Lemmy's Castle and Motorhead Stadium inside the virtual world of Entropia Universe, an online universe.[80] In the Victor Vran Downloadable content "Motorhead Through The Ages", there is a new "Lemmy's Outfit" armour. The other Motörhead bandmates' armour is also available. As an easter egg, a holographic woman in the final level of 2020's DooM Eternal proclaims, "Lemmy is God!". Appearance of the character King Novik from the same video game is also loosely based on facial features of Lemmy.
Illness and Death[]
In December 2000, Lemmy's tour was cancelled when he was hospitalised in Italy with the flu, exhaustion, and a lung infection.[81] He was hospitalised with extreme dehydration and exhaustion in Germany in July 2005.[82] As he grew older, he used less alcohol and drugs as he suffered from diabetes and hypertension. In June 2013, it was reported that he had an implantable cardioverter-defibrillator fitted.[83] His tour was cancelled in July 2013 due to a severe haematoma.[84] He referred to his continuing drug use as "dogged insolence in the face of mounting opposition to the contrary".[85] Towards the end of his life, he had to use a walking stick though was able to stand on stand when performing.[86] He had started smoking at the age of 11.[87] In August 2015, he said he had cut down his smoking habit from two packs a day to one pack a week. Notably he had also switched from "Jack and Coke" to "Vodka and Orange Juice", jokingly stating that it had "Vitamin C".[88]
Lemmy's health concerns would also be noted on Motörhead's final North American tour, in support of Bad Magic. On 27 August 2015 in Salt Lake City, the band would be forced to cancel their set after four songs due to breathing problems and a handful of dates would be canceled as Lemmy would recover.[89] He was hospitalised with a lung infection on 1 September 2015, after having breathing problems when performing onstage and forced to stop after just three songs, evoking further concern among fans.[90][91] Despite both hospitalizations, Lemmy would bounce back and finish the remaining dates of the band's North American tour, along with two performances at Motörboat and the band's December tour of Europe. Phil Campbell would reflect on those final tours and noted that "he wasn't quite himself".[92]
On 28 December 2015, four days after his 70th birthday, Lemmy died at his Los Angeles apartment in front of his favorite slot machine. It would be revealed that he had died from prostate cancer, cardiac arrhythmia, and congestive heart failure.[93][94][95] Motörhead announced his death on their official Facebook page later that day. According to the band, his cancer had only been diagnosed two days prior to his death.[96]
In an interview with the band's manager Todd Singerman, he would state the following: "He [Lemmy] gets home [from tour], we have a big birthday party for him at the Whisky a Go Go. His friends came down and played. Two days later I could tell he wasn't feeling good. So we took him to the hospital. They release him. Then after the brain scan, they found the cancer in his brain and his neck. The doctor comes with the result a couple of days later and says "It's terminal.". It had been noted that Lemmy had been generally accepting of his fate.[97]
Lemmy's doctor had given him two to six months to live. Mikael Maglieri, owner of his nearby hangout of the Rainbow Bar and Grill, subsequently had a video game machine that Lemmy was fond of playing taken from the establishment and put in Lemmy's apartment so he could continue playing it from his bedside. Although his manager had planned to keep the news private until his eventual death, Lemmy strongly encouraged him to make the diagnosis public in early 2016, but he died before a press release could be drafted.[98] Prior to the cancer diagnosis Motörhead were intended to tour in February 2016 with Girlschool. Phil Campbell noted he got the news when he tried to call Lemmy on his 70th birthday to no response. Singerman would call Campbell and note that he and Mikkey should try to visit him as he had not been well. However this would be the same day Lemmy would die, to which Campbell would note that he "must have gone really, really quick at the end, which is the best way".[99]
Funeral[]
Lemmy's memorial service took place at Forest Lawn Memorial Park, Hollywood Hills, on 9 January 2016.[100] Along with friends and family, numerous musicians and notable figures would be in attendance for his funeral service including Paul Inder, Mikkey Dee, Matt Sorum, Slash, Rob Halford, Scott Ian, Triple H, Lars Ulrich and Dave Grohl among others.[101] The service was streamed live over YouTube with more than 230,000 people logging on to watch, while others gathered at the Rainbow.[102] His body was cremated following the funeral. His remains were placed in a 3D-printed mantelpiece shaped like his trademark cavalry hat and emblazoned with the slogan "born to lose, lived to win".[103] The piece was on display during his funeral and was later interred at Forest Lawn. A bronze statue of Lemmy would be interred at the Rainbow Bar and Grill in August 2016.[104]
Tributes and Legacy[]
In various media, additional tributes appeared from fellow rock stars such as Dave Grohl, Ozzy Osbourne,[105] Alice Cooper, Metallica,[106] Scott Ian of Anthrax[107] and Black Sabbath guitarist Tony Iommi.[108] Matt Pike (Sleep, High on Fire) would get a tattoo of Lemmy "an hour after he died".[109]
Reviewing his career after his death, The Daily Telegraph said: Over the years as guitarists and drummers passed through Motörhead's lineup, Lemmy remained the grizzled heart of the machine. His bronchial rasp—directed into a towering microphone tilted down into his weather-beaten face, was one of the most recognizable voices in rock, while his Rickenbacker guitar recast the bass as an overpowered, distorted rhythmic rumble.[110]
In 2005, the UK magazine Classic Rock presented Lemmy with its first "Living Legend" award.[111] In a 2013 interview with the magazine, Lemmy said he had never expected to make it to 30, but he spoke very pointedly about the future, indicating neither he nor the band was obsessing about the end: Death is an inevitability, isn't it? You become more aware of that when you get to my age. I don't worry about it. I'm ready for it. When I go, I want to go doing what I do best. If I died tomorrow, I couldn't complain. It's been good.[112]
In February 2016, the Hollywood Vampires performed at the Grammy Award ceremony as a tribute to Lemmy.[113] On 11 June, Download Festival paid tribute to Lemmy by renaming the main stage the "Lemmy Stage", and in the slot where Motorhead were due to play, there was a video tribute to Lemmy in which they played his music and his peers talked about him.[114] On 17 November, Metallica released a tribute song titled "Murder One", named after Lemmy's frequently used amp. The song, from their album Hardwired... to Self-Destruct, depicts Lemmy's rise to fame. On 18 January 2017, Lemmy was inducted into the Hall of Heavy Metal History for being the creator of thrash metal.[115] In 2017, the extinct crocodile relative Lemmysuchus was named after Lemmy.[116] On 14 November 2016, asteroid 243002 was officially named 243002 Lemmy,[117] complementing asteroid 250840 Motorhead, named after the band in 2014.[118]
In 2018, Hawkwind recorded a new acoustic version of Lemmy's "The Watcher" (originally recorded on Doremi Fasol Latido, 1972) on the album The Road to Utopia with production, arrangement and additional orchestrations by Mike Batt and a guest appearance from Eric Clapton.[119]
Bands[]
- The Motown Sect - Guitars, Vocals (1966)
- The Rainmakers - Guitars (1963 - 1966)
- Sam Gopal - Guitars (1968)
- Opal Butterfly - Guitars (1970)
- The Rockin' Vickers - Guitars (1965 - 1967)
- Hawkwind - Bass, Vocals (1971 - 1975)
- Robert Calvert - Bass (1972 - 1974)
- Motörhead - Bass, Vocals (1975 - 2015)
- The Head Cat aka Headcat - Bass, Guitar, Vocals (2000 - 2015)
Selected Discography[]
With Hawkwind[]
- "Silver Machine" / "Seven by Seven" (7" single) (1972)
- Doremi Fasol Latido (1972)
- "Lord of Light" / "Born to Go" (7" single) (1973)
- "Urban Guerrilla" / "Brainbox Pollution" (7" single) (1973)
- Space Ritual (1973)
- Hall of the Mountain Grill (1974)
- "Psychedelic Warlords" / "It's So Easy" (7" single) (1974)
- "Kings of Speed" / "Motorhead" (7" single) (1975)
- Warrior on the Edge of Time (1975)
- The Earth Ritual Preview EP (guest appearance as bass and backing vocals on Night of the Hawks) (1984)
- Bring Me the Head of Yuri Gagarin (live 1973) (1985)
- Space Ritual Volume 2 (live 1972) (1985)
- BBC Radio 1 Live in Concert (live 1972) (1991)
- The Friday Rock Show Sessions (live 1986) (1992)
- The 1999 Party (live 1974) (1997)
With Motörhead[]
- Motörhead (1977, Chiswick)
- Overkill (1979, Bronze)
- Bomber (1979, Bronze)
- On Parole (1979, United Artists) (Recorded 1975 - 1976)
- Ace of Spades (1980, Bronze)
- No Sleep Til' Hammersmith (1981, Bronze) (Live Album)
- Iron Fist (1982, Bronze)
- Another Perfect Day (1983, Bronze)
- No Remorse (1984, Bronze) (Compilation)
- Orgasmatron (1986, GWR)
- Rock n' Roll (1987, GWR)
- 1916 (1991, Epic)
- March ör Die (1992, Epic)
- Bastards (1993, ZYX)
- Sacrifice (1995, Steamhammer)
- Overnight Sensation (1997, Steamhammer)
- Snake Bite Love (1998, Steamhammer)
- We Are Motörhead (2000, Steamhammer)
- Hammered (2002, Steamhammer)
- Inferno (2004, Steamhammer)
- Kiss of Death (2006, Steamhammer)
- Motörizer (2008, Steamhammer)
- The World Is Yours (2010, UDR / Motörhead Music)
- Aftershock (2013, UDR / Motörhead Music)
- Bad Magic (2015, UDR / Motörhead Music)
- Under Cover (2017, UDR / Motörhead Music)
Misc. Band Releases[]
- The Rockin' Vickers – "Zing! Went the Strings of My Heart" / "Stella" (7" single, 1965)
- The Rockin' Vickers – "It's Alright" / "Stay By Me" (7" single, 1965)
- The Rockin' Vickers – "Dandy" / "I Don't Need Your Kind" (7" single, 1966)
- Sam Gopal - Escalator (1969)
- Sam Gopal - "Horse" / "Back Door Man" (7" single, 1969)
- Robert Calvert - "Ejection" / "Catch a Falling Starfighter" (7" single, 1974)
- Robert Calvert - Captain Lockhead and the Starfighters (1974)
- The Damned - "I Just Can't Be Happy Today" / "The Ballroom Blitz" / "Turkey Song" (7" single, 1979)
- Robert Calvert - "Lord of the Hornets" / "The Greenfly and the Rose" (7" single, 1980)
- Headgirl (Motörhead & Girlschool) - St. Valentine's Day Massacre (1981)
- The Young & Moody Band - "Don't Do That" (Single, 1980)
- Lemmy & Wendy O. Williams - Stand By Your Man (1982)
- Lemmy & The Upsetters - Blue Suede Shoes (1990)
- Lemmy, Slim Jim & Danny B - Lemmy, Slim Jim & Danny B (2000)
- The Rockin' Vickers – "The Complete: It's Alright" (Compilation, 2000)
- The Head Cat - Fool's Paradise (2006)
- The Head Cat - Rockin' the Cat Club: Live From The Sunset Strip (2006)
- Lemmy - Damage Case (Career-spanning compilation, 2006)
- Keli Raven & Lemmy Kilmister - Bad Boyz 4 Life (Single, 2007)
- The Head Cat - Walk The Walk... Talk The Talk (2011)
Guest Appearances[]
- 1982 – Speed Queen (French band) – Speed Queen – backing vocals on "Revanche"
- 1984 – Albert Järvinen Band – Countdown
- 1985 – Hear 'n Aid
- 1985 – The Crowd – You'll Never Walk Alone (Bradford City F.C. Fire Disaster)
- 1986 – Boys Don't Cry – "I Wanna Be a Cowboy" (appears in the music video)
- 1989 – Nina Hagen – Nina Hagen – guests on "Where's the Party"
- 1992 – Bootsauce – Bull – guests on "Hold Tight"
- 1994 – Fast Eddie Clarke – It Ain't Over till It's Over – guests on "Laugh at the Devil".
- 1994 – Shonen Knife – Rock Animals – guests on "Tomato Head" single remix (Track 3 – "Lemmy in There Mix") – not the album track
- 1996 – Skew Siskin – Electric Chair Music
- 1996 – Ugly Kid Joe – Motel California - guest on "Little Red Man"
- 1996 – Myth, Dreams of the World – Stories of the Greek & Roman Gods & Goddesses
- 1996 – Skew Siskin – Voices from the War
- 1997 – Ramones – We're Outta Here! – guests on "R.A.M.O.N.E.S."
- 1999 – Jetboy – Lost & Found
- 1999 – Skew Siskin – What the Hell
- 1999 – A.N.I.M.A.L. – Usa Toda Tu Fuerza – guests on a version of AC/DC's "Highway to Hell"
- 2000 – Doro – Calling the Wild
- 2000 – Swing Cats – A Special Tribute to Elvis – guests on "Good Rockin' Tonight", "Trying to Get to You" and "Stuck on You"
- 2001 – The Pirates – Rock Bottom
- 2001 – Hair of the Dog – Ignite – guests on "Law"
- 2002 – Royal Philharmonic Orchestra, Mike Batt and guests – Philharmania – guests on "Eve of Destruction"
- 2003 – Ace Sounds – Still Hungry
- 2003 – Skew Siskin – Album of the Year
- 2004 – Probot – Probot – guests on "Shake Your Blood"
- 2005 – Throw Rag – 13 Ft. and Rising – guests on "Tonight the Bottle Let Me Down"
- 2006 – Doro – 20 Years – A Warrior Soul – guests on "Love Me Forever" and "All We Are"
- 2007 – Meldrum – Blowin' Up The Machine – guests on "Miss Me When I'm Gone"
- 2007 – The Warriors – Genuine Sense of Outrage – guests on "Price of Punishment"
- 2007 – Keli Raven single "Bad Boyz 4 Life" (co-writer and guest vocalist)
- 2008 – Airbourne – Guest actor on Airbourne's "Runnin' Wild" Music Video
- 2008 – We Wish You a Metal Christmas – Run Run Rudolph
- 2008 – Legacy – Girlschool album – Don't Talk to Me vocals, bass, triangle and lyrics.
- 2009 – Queen V – Death or Glory – guests on "Wasted"
- 2009 – Brütal Legend (video game) – The Kill Master (voice)
- 2010 – Slash – Slash – "Doctor Alibi" (vocals and bass)
- 2011 – Michael Monroe – Sensory Overdrive guests on "Debauchery As A Fine Art"
- 2011 – Emergency – Livewire + Girlschool + Rudy Sarzo vocals (Haiti Appeal)
- 2012 – Doro – Raise Your Fist guest on "It Still Hurts"
- 2012 – Nashville Pussy – Guest on Nashville Pussy's song "Lazy Jesus" on the re-release of the album "From Hell to Texas"
- 2014 – Emigrate – Guest bass and vocals on track Rock City, from their album Silent So Long
Equipment[]
Lemmy positioned his microphone in an uncommonly high position, angled so that he appeared to be looking up at the sky rather than at the audience. He said that it was for "personal comfort, that's all. It's also one way of avoiding seeing the audience. In the days when we only had ten people and a dog, it was a way of avoiding seeing that we only had ten people and a dog."[120]
As a member of Hawkwind, Lemmy first used a Rickenbacker belonging to Dave Anderson. When Anderson failed to show up for a charity gig, Lemmy took his place. Following the departure of Anderson, Kilmister bought a Hopf Studio bass off Hawkwind synth player Del Detmar.[121] He used Rickenbacker basses for most of his career.[122] In September 1996, a Rickenbacker belonging to him was a featured part of the Bang Your Head exhibition at the Rock and Roll Hall of Fame in Cleveland, Ohio, US.[123]
When asked about the appeal of the Rickenbacker instruments, Lemmy said "The shape. I'm all for the image — always. If you get one that looks good, you can always mess with the pickups if it sounds bad."[124]
With Hawkwind Lemmy used a Selmer amplifier. With Motorhead, he got a Marshall Amplification 1992 JMP Super Bass Mark 2 bass stack from 1976, with a 4x15" and a 4x12" cabinet.[125] In 2008, Marshall issued a model dedicated to Lemmy, the 1992LEM, which was available with the same cabinets Lemmy used.[126]
External Links[]
- Motorhead Official
- Official Page for The Lemmy Movie
- Lemmy on IMDB
- Lemmy Kilmister on Find a Grave
- Obituary on Consequence of Sound
References[]
- ↑ The Quietus
- ↑ Bravewords
- ↑ The Guardian
- ↑ Blabbermouth
- ↑ Blabbermouth
- ↑ [Kilmister & Garza 2012, p. 5.]
- ↑ BBC.co.uk
- ↑ [McIver, Joel (2011). Overkill: The Story of Motorhead. Omnibus Press. ISBN 978-1-84938-619-7.]
- ↑ [Clerk, Carol (2004). The Saga of Hawkwind. Omnibus Press. p. 546. ISBN 978-1-84449-101-8.]
- ↑ Wales Online via Wayback Machine
- ↑ [Clerk, Carol (2004). The Saga of Hawkwind. Omnibus Press. p. 546. ISBN 978-1-84449-101-8.]
- ↑ BBC
- ↑ Seattle Weekly via Wayback Machine
- ↑ Vulture
- ↑ [White Line Fever, pg. 11. Citadel Press, January 2004]
- ↑ [Clerk, Carol (2004). The Saga of Hawkwind. Omnibus Press. p. 546. ISBN 978-1-84449-101-8.]
- ↑ [Trynka, Paul (2004). The Beatles: 10 Years That Shook The World. Dorling Kindersley/Mojo. p. 59. ISBN 978-0-7566-0670-1.]
- ↑ [Lemmy. White Line Fever: The Autobiography. ISBN 978-1471157653. OCLC 949146340.]
- ↑ Inked Magazine via Wayback Machine
- ↑ [Clerk, Carol (2004). The Saga of Hawkwind. Omnibus Press. p. 546. ISBN 978-1-84449-101-8.]
- ↑ Q The Music
- ↑ [Clerk, Carol (2004). The Saga of Hawkwind. Omnibus Press. p. 546. ISBN 978-1-84449-101-8.]
- ↑ [White Line Fever, pg. 97]
- ↑ Brave Words
- ↑ Motorhead Official via Wayback Machine
- ↑ Rolling Stone
- ↑ Rolling Stone
- ↑ Official Charts
- ↑ Official Chart
- ↑ Official Charts
- ↑ [White Line Fever, p. 228.]
- ↑ [White Line Fever, p. 258.]
- ↑ [White Line Fever, pp. 281–283.]
- ↑ [White Line Fever, pp. 284–285.]
- ↑ Rock on The Net
- ↑ [Kern, Rob: "What's been the highlight of the shows? That I'm still alive!"; Classic Rock #138, November 2009, p19]
- ↑ Blabbermouth via Wayback Machine
- ↑ FTVDB via Wayback Machine
- ↑ BBC
- ↑ Lincolnshire Bombers via Wayback Machine
- ↑ [Kern, Rob: "What's been the highlight of the shows? That I'm still alive!"; Classic Rock #138, November 2009, p19]
- ↑ The Damned via Wayback Machine
- ↑ Blabbermouth via Wayback Machine
- ↑ Music Week
- ↑ Blabbermouth via Wayback Machine
- ↑ Metal Callout
- ↑ Late Night With Jimmy Fallon
- ↑ Blabbermouth via Wayback Machine
- ↑ Clasic Rock REvisited
- ↑ Blabbermouth via Wayback Machine
- ↑ Blabbermouth
- ↑ Motorhead Facebook
- ↑ Rollng Stone
- ↑ Sueddeutsche
- ↑ The Independent
- ↑ Maxim via Wayback Machine
- ↑ Sex Tips From Rock Stars
- ↑ Southern Lord Records via Wayback Machine
- ↑ Motorheadster
- ↑ Blabbermouth
- ↑ [Motorhead Videobiography (Double DVD with 48-page book) Edgehill Publishing Ltd., June 2007 ISBN 978-1-905954-38-4]
- ↑ Blabbermouth via Wayback Machine
- ↑ IMDB
- ↑ IMDB
- ↑ The Guardian
- ↑ Metal Insider
- ↑ Contact Music
- ↑ Vulture
- ↑ The Guardian
- ↑ Lemmy Movie Official
- ↑ Blabbermouth via Wayback Machine
- ↑ NME
- ↑ Hollywood Reporter
- ↑ Twitch Film via Wayback Machine
- ↑ YouTube
- ↑ IMDB
- ↑ Idio Mag via Wayback Machine
- ↑ Cargo Collective
- ↑ Kotaku
- ↑ Reuters via Wayback Machine
- ↑ MTV
- ↑ MTV
- ↑ [Blake, Mark (March 2016). "Lemmy: 1945-2015". Q. No. 356. Bauer. pp. 8–10. Retrieved 22 February 2019.]
- ↑ The Guardian
- ↑ The Guardian
- ↑ The Guardian
- ↑ Loudwire
- ↑ New York Post
- ↑ Setlist.fm
- ↑ Setlist.fm
- ↑ London Music Hall
- ↑ Blabbermouth
- ↑ County of Los Angeles Certificate of Death
- ↑ Loudwire
- ↑ The Guardian
- ↑ Variety
- ↑ Meusic News
- ↑ Roling Stone
- ↑ Blabbermouth
- ↑ [Blake, Mark (March 2016). "Lemmy: 1945-2015". Q. No. 356. Bauer. pp. 8–10. Retrieved 22 February 2019.]
- ↑ YouTube
- ↑ Sky News
- ↑ City Pages
- ↑ Ultimate Classic Rock
- ↑ Rolling Stone
- ↑ Rolling Stone
- ↑ Blabbermouth
- ↑ Blabbermouth
- ↑ Loudwire via YouTube
- ↑ The Daily Telegraph
- ↑ High Beam via Wayback Machine
- ↑ Metal Insider
- ↑ BBC News Online
- ↑ NME
- ↑ Rolling Stone
- ↑ The Daily Telegraph
- ↑ NASA
- ↑ NASA
- ↑ Cherry Red
- ↑ [McIver, Joel (January 2000). "Mil-Lemmy-Um". Record Collector. No. 245. p. 46.]
- ↑ [Lemmy. White Line Fever: The Autobiography. ISBN 978-1471157653. OCLC 949146340.]
- ↑ Music Radar
- ↑ Rock and Roll Hall of Fame Official
- ↑ Bass Player Magazine
- ↑ Which Bass
- ↑ Premier Guitar